The Course of True Love

May 1, 2010 at 10:28 am (A Midsummer Night's Dream, Analysis and Discussion, Shakespeare's Plays) (, , , , , )

The course of true love never did run smooth.

This is one of the more famous lines from A Midsummer Night’s Dream. Lysander says this to Hermia as they bemoan their own problems and discuss various ways that love can go wrong. They hatch a plan to elope and when Helena wanders by, they tell her of their plan to meet in the woods and run away together where Athenian law can’t follow them.

Poor Helena. She is lovesick for Demetrius. She says, “The more I love, the more he hateth me” (I.1.199). She cannot wrap her mind around the switch in his affections to Hermia. Helena says:

As waggish boys in game themselves forswear,
So the boy Love is perjured every where:
For ere Demetrius look’d on Hermia’s eyne,
He hail’d down oaths that he was only mine;
And when this hail some heat from Hermia felt,
So he dissolved, and showers of oaths did melt.

It’s at this moment that Helena thinks to tell Demetrius that Hermia and Lysander plan to run away to the woods. She then will follow him and throw herself at his feet in her desperation to win back his affection.

I’ve been thinking about Helena’s motivation here. This has been weighing on me since I watched Picture This. In screenplay writer and director John Fisk’s video about adapting a Shakespearean play he explains his reasoning for veering from a strictly Shakespearean storyline. One of his reasons has to do with what he sees as Helena’s selfish motives. He feels she deserves different consequences than Shakespeare provides (her apparently happily-ever-after marriage to the apparently permanently love-juice-influenced Demetrius). Fisk points out that true love cannot come from a place of selfish interests. Because Demetrius is drugged, Fisk says, it’s not true love. Picture This provides a different ending for this couple than Shakespeare.

John Fisk commented on my blog about this: “I know ‘A Midsummer Night’s Dream’ is a comedy however when watching the play or a movie version of it I’m always struck by how Helena treats her friend Hermia. In writing screenplays, the theory goes that, it is really important to look at the choices which your characters make. This really defines the character. In other words the character is the choices that they make.”

I appreciate his point and I really appreciate him stopping by this blog and sharing his thoughts with us. I can see how he could interpret Helena’s actions as selfish. In the video, Fisk says one of the main questions for him in writing the screenplay was: “Can love that comes from a dark and selfish place lead to a true love of total selflessness?”

It’s a great question. I totally get what he did in the film Picture This and it makes a whole lot of sense if you’re coming from the viewpoint that Helena is selfish. I have thought about Helena’s motivation each time I’ve viewed a film adaptation or read the text since hearing this idea; I still don’t interpret her actions the same way as Fisk. (If he returns to read this, I hope he understands that I’m using his opinion as a point to ponder; he’s entitled to his viewpoint!).

I have a lot of empathy for Helena. She loved Demetrius with all her heart and he returned her love (this is prior to the play’s action, but it’s referred to by Lysander and Theseus in the opening scene).

Demetrius, I’ll avouch it to his head,
Made love to Nedar’s daughter, Helena,
And won her soul; and she, sweet lady, dotes,
Devoutly dotes, dotes in idolatry,
Upon this spotted and inconstant man.

I must confess that I have heard so much,
And with Demetrius thought to have spoke thereof;
But, being over-full of self-affairs,
My mind did lose it.

We are not given an explanation for Demetrius’s switch from Helena to Hermia. All we know is that he has Egeus’s permission to marry Hermia. It’s not particularly clear to me that he loves Hermia. Maybe the betrothal was a business transaction between Demetrius and Egeus. Who knows? Hermia would have nothing to do with him; she loves Lysander. The strongest language Demetrius uses toward Hermia is:

O, why rebuke you him that loves you so?
Lay breath so bitter on your bitter foe.

It’s not that convincing to me. Still, why drop Helena if he loved her. Who knows?

Back to Helena’s motivation. She is a little conniving in her decision to tell Demetrius that Hermia and Lysander will be in the woods. However, her intention is not to hurt Hermia. She already knows Hermia has no feelings for Demetrius and is, in fact, eloping with Lysander and planning to leave Athens forever. If she did nothing, Hermia would be out of the picture and Helena could try her luck getting Demetrius back.

It seems to me that she’s just lovesick and not thinking clearly. She knows Demetrius will follow Hermia into the woods. She sees this as an opportunity for herself to follow Demetrius and throw herself at him. She is Desperate with a capital D. Who can blame her? She has loved Demetrius and has no idea why his love turned away. She thinks she can somehow win it back. She doesn’t seem selfish to me so much as confused and desperate. I don’t think she means any harm to anyone.

Hermia goes through a similar out-of-body experience when Lysander is under the spell of the love juice and claims to hate her. She can’t believe her ears:

You speak not as you think. It cannot be.

And then as Lysander continues, Hermia thinks he is joking. When she realizes it’s not a joke, she’s just confused:

Hate me! wherefore? O me! what news, my love!
Am not I Hermia? are not you Lysander?
I am as fair now as I was erewhile.
Since night you loved me; yet since night you left me.
Why, then you left me–O, the gods forbid!–
In earnest, shall I say?

At this point, Hermia reacts with anger toward Helena, assuming that Helena must have done something to cause Lysander’s eyes to wander.

To me, Helena’s quiet jealousy of Hermia and desperate offers to Demetrius are normal reactions, as are Hermia’s confusion and anger. Both women are behaving as you might expect under confusing circumstances where a once trusted and professed love is suddenly gone.

Selfish? Deserving consequences? I don’t see it that way. Sad and confused and desperately trying to make sense of altered reality… yes.

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