I Get No Kick From Champagne

August 16, 2010 at 8:56 pm (Film Adaptations, Love's Labour's Lost, Shakespeare's Plays) (, , , , , , , )

I get no kick from Champagne, but I get a big ol’ kick out of Kenneth Branagh’s 2000 version of Love’s Labour’s Lost. It’s set in 1939 France. World War II is looming and we’re updated several times during the film with faux newsreel footage. But everyone is quite stylish and elegant in Navarre. And the music is good. The music is very, very good with all those great Depression-era show tunes.

Okay. Let’s be honest. The BBC took Shakespeare’s play at face value and delivered a true-to-the-text (and therefore very wordy) version. In stark contrast, Branagh throws caution (and maybe common sense) to the wind and delivers a trippy, giddy, easy-on-the-eye dreamscape of a musical. This is Shakespeare Lite. Emphasis on Lite.

I didn’t analyze how much of the text is missing, but it’s significant — like all the boring parts! Really, you don’t get any sense at all of the wordplay and self-conscious erudition that permeates the original. It’s nearly pedantless! This is all fun and games. Heavy on the wooing, lite on the wit.

Does it work? I find this film much easier to watch and more entertaining than the BBC version. Is it all good? I wouldn’t go that far. I actually hate Alicia Silverstone as the princess. She is just awful and barely delivers her lines. She’s the low point for me. And, well, I watch a lot of Scooby at my house, so it’s hard for me to see Matthew Lillard (who plays Longaville) and think of anything but Shaggy. Yet, it sorta works in this movie. Longaville = Shaggy. Go figure.

What’s good here? I love Nathan Lane’s Costard. And by far the trippiest character is Timothy Spall’s amazingly bizarre Don Armado. Wow, is all I can say there. Fun to watch. Weird, though.

Really weird. I think my favorite scene is Don Armado singing Cole Porter’s “I Get A Kick Out of You” and sneezing cocaine all over another guy’s face, followed immediately by the princess and her ladies goofily waking up with their teddy bears in their tent and then going for a synchronized Esther Williams-style swim while singing Irving Berlin’s “No Strings (I’m Fancy Free)” from Top Hat with Fred Astaire.

Yeah. I have to say I really don’t get this play (I mean Shakespeare’s version). I’m going to read it again before I post about it. But whatever is in Love’s Labour’s Lost is surely lost in this film version. The play is about wordplay and satire; that is completely absent from this film. Yet, the film is entertaining — for sheer cheesy weirdness, really, more than great song and dance.

Okay, enough of the hallucination. I’m going to get back to the text. I will report back. Hopefully, I’ll find it more readable on the second pass. Wish me luck!

© All Content, Copyright 2010 by Blog Author, Or What You Will. All Rights Reserved.

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7 Comments

  1. Tue Sorensen said,

    Aw no, did you have to include a Scooby-Doo picture…. argh.

  2. Tue Sorensen said,

    I actually appreciate Silverstone a great deal in this film – I love all the female characters, but few of the male ones. I chiefly hate Don Armado and Moth – I think they ought to be fairly attractive characters (and Moth should be a CHILD!!), but here I find them repulsive. Although the movie is certainly watchable, and a version of the play that is very easy to digest, I think this rates as Branagh’s low-point when it comes to his Shakespeare movies.

    • orwhatyouwill said,

      Don Armado is so weird in this, but I didn’t hate him…. kind of fascinated by such a weird take on him, really. I found him somehow more watchable than the weirdness of Michael Keaton’s Dogberry in MAAN. Silverstone was sometimes painful for me (and I tend to like her usually).

  3. Tue Sorensen said,

    I have now bought and seen the Shakespeare’s Globe version of LLL (http://www.imdb.com/title/tt1710580/), and it is great! Very funny, very beautifully staged – it’s the best filmed version yet! 🙂

  4. Remuneration « Or What You Will said,

    […] Globe Theatre production of the play. Start here (maybe end here!), then read it. Then, watch the Kenneth Branagh musical. Then, if you feel like it, try the BBC version. I have to admit that even subsequent viewings of […]

  5. Anonymous « Or What You Will said,

    […] Love this film. Love it! I was so happy watching it! I was smiling through much of it and smiling on my way home! Oh my goodness, Rafe Spall playing Shakespeare does such a fully fantastic performance of this farcical jackass… I literally laughed out loud every time he appeared on screen. And can I say, thank you Rafe, for redeeming yourself in my eyes after that truly godawful film One Day… one of the few movies I would have walked out on, but my friend kept telling me it HAD to get better (it didn’t). Rafe Spall, you are redeemed. (I just want to point out that Rafe is the son of Timothy Spall who played the trippy Don Armado in Kenneth Branagh’s Love’s Labour’s Lost). […]

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