It’s Too Darn Hot

November 4, 2011 at 11:53 pm (Live Performances, Shakespeare's Plays, The Taming of the Shrew) (, , , , , , )

The Fall colors really popped out today and I played hooky from all the work I shoulda coulda woulda been doing. So, instead, I went to see Anonymous, which I will blog about soon. And, in a Shakespearean double whammy for the day, I took in a really fun performance of Kiss Me, Kate done by Rockville Musical Theatre.

It’s been a long, long time since I’ve seen a show on Broadway, but I was getting those good pre-show vibes while I was listening to the musicians warm up. I just kept feeling transported to New York and was all excited waiting for the show to start (of course, the tix were a lot cheaper in Rockville than Times Square!).

The show is fantastic! I can’t remember if I’ve seen Kiss Me, Kate before. If I did, it was decades ago. The story is so cute, set in post-WWII Baltimore and involving the relationship between the actors Lilli and Frederick as they play the roles of Kate and Petruchio in a musical version of The Taming of the Shrew.

It’s great fun how the 1940s storyline mirrors and weaves in and out of the play within the play (and they stage quite a lot of The Taming of the Shrew!).  The actors do a wonderful job, the leads have beautiful voices, and the dance numbers are well-done (I especially enjoyed Too Darn Hot).

The Cole Porter tunes are familiar and fun and the musicians are excellent. I was surprised to see one of my kids’ pediatricians as the musical director… that’s what I love about community theater! And while I was impressed with this production all around (singing, dancing, music, acting, costumes, sets), what I like best of all on the Rockville Musical Theatre’s website is their “Oh S#%t Awards” for the biggest goofs during each production. I got a good laugh out of that (but did not notice anything tonight that would earn the award)!

Anyway, great fun and I highly recommend it to anyone in the DC area. Kiss Me, Kate continues this weekend and next at the F. Scott Fitzgerald Theatre in Rockville. Tickets are $20 and I was pleased to see a good crowd there tonight! Head on out, folks. It’s Wunderbar!

© All Content, Copyright 2011 by Blog Author, Or What You Will. All Rights Reserved.

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I Get No Kick From Champagne

August 16, 2010 at 8:56 pm (Film Adaptations, Love's Labour's Lost, Shakespeare's Plays) (, , , , , , , )

I get no kick from Champagne, but I get a big ol’ kick out of Kenneth Branagh’s 2000 version of Love’s Labour’s Lost. It’s set in 1939 France. World War II is looming and we’re updated several times during the film with faux newsreel footage. But everyone is quite stylish and elegant in Navarre. And the music is good. The music is very, very good with all those great Depression-era show tunes.

Okay. Let’s be honest. The BBC took Shakespeare’s play at face value and delivered a true-to-the-text (and therefore very wordy) version. In stark contrast, Branagh throws caution (and maybe common sense) to the wind and delivers a trippy, giddy, easy-on-the-eye dreamscape of a musical. This is Shakespeare Lite. Emphasis on Lite.

I didn’t analyze how much of the text is missing, but it’s significant — like all the boring parts! Really, you don’t get any sense at all of the wordplay and self-conscious erudition that permeates the original. It’s nearly pedantless! This is all fun and games. Heavy on the wooing, lite on the wit.

Does it work? I find this film much easier to watch and more entertaining than the BBC version. Is it all good? I wouldn’t go that far. I actually hate Alicia Silverstone as the princess. She is just awful and barely delivers her lines. She’s the low point for me. And, well, I watch a lot of Scooby at my house, so it’s hard for me to see Matthew Lillard (who plays Longaville) and think of anything but Shaggy. Yet, it sorta works in this movie. Longaville = Shaggy. Go figure.

What’s good here? I love Nathan Lane’s Costard. And by far the trippiest character is Timothy Spall’s amazingly bizarre Don Armado. Wow, is all I can say there. Fun to watch. Weird, though.

Really weird. I think my favorite scene is Don Armado singing Cole Porter’s “I Get A Kick Out of You” and sneezing cocaine all over another guy’s face, followed immediately by the princess and her ladies goofily waking up with their teddy bears in their tent and then going for a synchronized Esther Williams-style swim while singing Irving Berlin’s “No Strings (I’m Fancy Free)” from Top Hat with Fred Astaire.

Yeah. I have to say I really don’t get this play (I mean Shakespeare’s version). I’m going to read it again before I post about it. But whatever is in Love’s Labour’s Lost is surely lost in this film version. The play is about wordplay and satire; that is completely absent from this film. Yet, the film is entertaining — for sheer cheesy weirdness, really, more than great song and dance.

Okay, enough of the hallucination. I’m going to get back to the text. I will report back. Hopefully, I’ll find it more readable on the second pass. Wish me luck!

© All Content, Copyright 2010 by Blog Author, Or What You Will. All Rights Reserved.

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