I started this post two whole years ago, but was sidetracked. Here it is with a few updates!
I love the local Shakespeare groups in the DC area. The Chesapeake Shakespeare Company is especially fun and vibrant. During the summer, they perform family-friendly productions at the haunted ruins of a Southern Belle finishing school. In the fall, they used to take folks inside those ruins for movable productions in the dark (they did Dracula like that a couple years ago!). Now that they’ve settled into their beautiful Baltimore home, it looks like they plan to stay there for the fall show (though it’s still bloody: Titus Andronicus!).
Two summers ago, I took my kids to see The Taming of the Shrew at the haunted ruins. Light rain was barely noticed and the actors were just happy to complete a performance (so many thunder storms in Maryland that year… and the ruins are on top of a hill). The outdoor venue is really fun for families, with blankets and picnicking encouraged and no need for kids to sit perfectly still and at attention. There are a few hundred folding chairs available, as well as space to spread out. The stage area is built on several levels in front of the ruins and the actors use window openings and the sides of the ruins for entrances and exits. There’s a lot of activity. This production of the Shrew was pure fun. The comedy was slapstick and silly, with hilarious situations and clownish antics. Great fun for kids.
Back in 2013, CSC was also still playing in community spots. I saw The Two Gentlemen of Verona in “The Other Barn” which was a surprisingly pleasant and intimate community performance space located in a shopping center in Columbia, Maryland. It’s a hike for me to Columbia, but it was well worth it. CSC is a a community-minded organization and makes a great effort to be accessible to its audience.
The performance I attended was preceded by a talk with director Patrick Kilpatrick who spoke a bit about the setting he chose for this production… it takes place in 1991, a year Kilpatrick described as pivotal to American culture… the year “everything changed.” His inspiration (if that’s what you would call it) was a combination of the William Kennedy Smith rape case and the Menendez brothers’ trial. “Proteus and Valentine are the Menendez brothers. They are William Kennedy Smith. Two kids from wealthy and powerful families who think they can have whatever they want, because for their entire lives that has been a fact.” It was an interesting way to look at the play and in fact worked really well, with the boys in their button down oxford shirts and smoking seegars.
And it was a great deal of fun watching the play at The Other Barn… the actors were within a couple feet of me. The Duke’s eight-year-old son was sitting near me on a bench watching his dad and hanging out with him between scenes… I loved the casual atmosphere. The CSC players also entertained us with some fun music before the show and during intermission. Love these performances.
This past summer I visited my favorite spot, Staunton, Virginia, once again. I stayed in a fantastic airbnb place and really enjoyed the town. I took in two performances at the American Shakespeare Center: A Midsummer Night’s Dream and Antony and Cleopatra. I even won a door prize… a poster signed by the cast! The shows were excellent, as always. They continue through November along with The Winter’s Tale and Henry VI, Part I (called Shakespeare’s Joan of Arc).
I saw ASC do The Winter’s Tale a few years ago in McLean, Virginia. ASC is bringing their Dangerous Dreams Tour to the Alden Theatre in McLean again in 2016. They’ll perform Julius Caesar, The Importance of Being Earnest, and The Life of King Henry V January 22-23. They have a package deal for all three shows at the Alden along with a “Brush up your Shakespeare” talk on January 21. Prices: $88 general public/$62 students and seniors/$50 McLean Community Center district residents… what a bargain, especially if you live in McLean! The DC-area Shakespeare Explorers Meetup group is participating in all the Alden events… maybe I’ll make it out to one!
I love to get out during the summer to see outdoor Shakespeare. I’ve been wishing and wanting for months to see the Chesapeake Shakespeare Company’s carnival-themed production of A Midsummer Night’s Dream. Chesapeake Shakespeare Company lets kids in for free, and I thought this might be the perfect play for my boys, who are 6 and 9 and not very good at sitting still. Many of the shows begin at 8 PM, which is too late for us, but I made it out tonight for their 6 PM show, the last of the season! I am so glad.
I meant to get there early for the pre-show carnival games and fun, but we got tied up in DC beltway traffic and only made it about 15 minutes before showtime. The kids still enjoyed some games and had a quick burger before the show began. There was face painting and a sprinkler set up for the kids (I am kind of immune to the heat here, but I think the temp was in the high 90s at the show’s start… it felt pleasant to me and all the seats were in the shade). We brought a blanket and could have sat right up front, but the boys wanted to sit on folding chairs. There are no bad seats.
I saw Chesapeake Shakespeare do Much Ado About Nothing last year, and I described their incredible outdoor performing space at the ruins of an antebellum finishing school in Ellicott City, Maryland. For A Midsummer Night’s Dream, they transform the ruins into a circus, with a tightrope, some signs, and lights… the carnival theme is not taken too far.
The show begins with some magic tricks, but again it’s not taken too far. Oberon is dressed as the circus master and Titania is his assistant, but other than that, the carnival theme fades and we’re in familiar forest and fairyland.
I love this play, and there were no weak parts in this production. The Athenians were hilarious, and I loved watching them running all around, progressively losing their clothes and getting more worn out, leaves in their hair, etc. Funny. It was hilarious watching their fighting and insults and fun to watch Puck and Oberon sitting up in the windows of the ruins “enjoying the sport.”
Puck is great fun in this production — a big guy with cool shades. He’s very funny.
I loved Bottom in this production, as well. My boys have seen bits and pieces of A Midsummer Night’s Dream on video, and the part they know best is where Puck turns Bottom into the ass-head that the love-juiced Titania falls for. This had my 6 year old bending over laughing.
They also loved the Mechanicals — especially Flute playing Thisby. Both of my boys were laughing like crazy whenever Flute was out. They got a big kick out of the chink in the wall (fingers held out), too. The little one kept saying, “This is Ridiculous!” And indeed, it was. This version of Pyramus and Thisby was thoroughly ridiculous… as it should be!
I’m so very glad that I got out to see this production. My 9 year old pronounced this “the best day ever!” on our way home (we also had a hike in the morning and went fishing and butterfly hunting, so there was a lot for a little boy to love today). But I was glad that their first experience watching a full-length live production of Shakespeare was such a success. Bottoms up!
If you live in the DC area, think about joining the Shakespeare Explorers Meetup Group. They get out to a lot more shows than I do. For example, they’re going to see Taffety Punk stage King John for free at the Folger Theatre tomorrow!
The ghosts of Southern belles are dancing in my imagination right now. I saw Much Ado About Nothing performed in the ruins of an antebellum finishing school today. It was the coolest thing! Well, it wasn’t cool. It was nearly 100 degrees and muggy when the play started. But it was really cool!
Situated on a hilltop overlooking the Patapsco River Valley in Historic Ellicott City, the Patapsco Female Institute was founded in 1837 and operated for more than 50 years as an elegant finishing school for young women. The stabilized ruins of the Greek Revival structure are open for tours, and serve as a beautiful setting for special events including Victorian teas and a summer open air theatre.
So, there were hoop skirts here. Young Southern belles during the Civil War. I bet they had dances like Scarlett O’Hara went to in Gone with the Wind.
Anyway, what a cool place to see a play! Huge trees surround the ruins. For the 4th of July, they started the play at 5 PM so we would have plenty of time to get out to see fireworks afterward. The actors also read the entire Declaration of Independence before the performance. That was kind of amazing to hear!
The seating is very casual and family friendly (kids get free admission to all performances). Some sat on blankets, others brought camp chairs. CSC provides 200 folding chairs, so I took one of those. We all moved around quite a lot to get out of the sun for the first 45 minutes or so. Once the shade from the trees kicked in, everything was much more pleasant. It would be really lovely in the evening.
The CSC provides pre-performance entertainment (jugglers, activities), but I arrived at showtime, so missed out on that. You could make quite a day of the outing. Because it was a family-oriented performance, one of the actors began by taking the kids (and any interested grown-ups) aside to explain the plot of the play (with photos) so they’d be able to follow along better. I thought that was really nice.
They did a great job with Much Ado About Nothing. The stage is a series of platforms and ramps built into the L-shaped side of the ruins. So, the actors perform there as well as using the many doors and windows of the ruins. It gives them a lot of flexibility and they use the space well.
This production is set during the Spanish Civil War in the 1930s. The acting is terrific! I enjoyed everyone. Beatrice has a lot of spunk and presence. You could see her cracking her gum in a Rosie the Riveter job. And she has that Big Band era chic… she looks great with her hair nets and stylish outfits.
One thing I noticed in this production that was not evident in video versions or from reading the text — Margaret during and after Hero’s jilting at the altar. Wow. So, it’s Margaret at the window with Borachio (they staged the window scene quietly here). Then the next day, Claudio humiliates Hero at the altar and accuses her of being a whore. So, all the while, Ms. Margaret, Hero’s trusted servant… is doing what? Why wouldn’t she set things straight at the wedding (blushingly waving, ummm, ahemm, excuse me, can I say something?). I don’t remember seeing her at all during the post-jilting in the film versions.
Well, here, I watched her on the stage. It was interesting. Everyone else ran to Hero’s aid when she fainted. Margaret stood aside, by herself, nervously playing with a bouquet and quietly contemplating her navel. I kept looking at her. Why wouldn’t she speak up? But then it worked for me. Here she is, a servant. The jilting is huge: Big Drama involving the daughter of the governor and all these important people. I could see then… it would be very difficult for Margaret to own up to the truth here (although I still think she could have done it later, in private). But here, the big scene, how strange it would be for a servant to pipe up with the news that Claudio and Don Pedro were mistaken and that it was she having sex with Borachio at her mistress’s window while he called her Hero. How would she explain that here? So then, I understood Margaret a bit more.
Only one thing bothered me during the whole show. You may have noticed that I love Balthasar’s song, as I’ve started many of my posts about Much Ado by quoting it. So, I was looking forward to hearing it performed. Guess what? Balthasar sang it in Spanish in this production! Oh, darn.
It was really fun to watch this play, it’s so entertaining… really a pleasant outing. If you’re in the area, I recommend catching a show here at the ruins. Hamlet is running in repertory this summer with Much Ado. It’s a lovely venue.
And I got home in plenty of time to see fireworks. Happy 4th of July!
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